
Before I launch into a writeup of the day's sightseeing, I have to make a complaint. I have several friends who have heard of, or who actively follow The Mars Volta. On a couple of occasions they've even mentioned them, and I've said "Oh, I don't really know their stuff". Why, on these occasions didn't one of them grab me by the neck, pin me to a wall and say "Listen, you f*cking idiot, go and buy an album immediately, and listen to it until you're sick of it. Then play it again." then release my neck and let me slide to the floor and think about what I've done? Every now and then I see a show or hear an album that reminds me why I bother following all this popular music stuff. This morning's bus journey was one of these moments.
Right. Taronga Zoo. It took a ferry journey to get there, and a cable car journey from the jetty the ferry arrived at to enter the zoo. It's another really well laid-out zoo, with lots of emphasis on the importance of conservation, expansive enclosures, variety of animals, and a couple of excellent shows. The seal show talked about the importance of conservation and of building good relationships with animals in captivity. It also involved somersaults in the water, a baby seal picking up some litter and putting it in a bin, an adult seal demonstrating the importance of not discarding old netting in the sea (funny bu

t with a serious message - you had to be there). The bird show talked about a colony of penguins round Manly way that the zoo is trying to assist, and asked for donations to the cause, as well as using very well trained birds and a sense of humour to keep a crowd entertained and engaged. All in all it was an excellent balance of entertainment and education, which is how a zoo should be. If you want to run something for the purposes of conservation, the money has to come from somewhere, and Taronga will keep people coming through the gates, and keep funding its projects.
On the way back home I popped into the Museum of Contemporary Art and saw an exhibition by Paddy Bedford - an Aboriginal artist who only started painting for exhibitions in 1989 at the age of 76. The paintings all had unusual textures from the materials he

used, and strong, bold colour schemes, but I didn't take the audio tour, so I didn't see what the paintings symbolised. I've already got an impression that Aboriginal culture is very laid back and relaxed, so the one painting that I did see the detailed description of wasn't as much of a surprise as it might have been. A red circle surrounded by black rings, all below a large black shape with two white rings on it, all looks very innocent - a nice balance of colours and shapes. The painting actually turned out to be a picture of several Aborigines being burned for spearing an animal they shouldn't have, having been forced to chop down the wood for their own funeral pyre. The red circle is the fire, t

he black rings are tree stumps and the two white rings on the larger black shape are two Aborigine women witnessing the whole event from a hill nearby. I'm hoping to go back soon and take the audio tour. I think it could be very rewarding.
Finally, though, here's a picture of a man playing a didgeridoo, as requested by an email correspondent. I think any photos of kangaroos wearing hats with corks in (her other request) may get me deported for crimes against good taste.